For example, Marti Pellow, David Hasselhoff, John Barrowman, Tony Hadley, Jerry Springer, Kevin Richardson and Ian Kelsey have all played the role of Billy Flynn. Billy uses Amos as a pawn, turning around and insisting that Amos is actually the father of Roxie's child. "Review: Chicago s Razzle Dazzle frazzle at Starlight", Laurence Olivier Award for Outstanding Musical Production, longest-running show to ever run on Broadway, Learn how and when to remove this template message, Best Performance by a Leading Actor in a Musical, Best Performance by a Leading Actress in a Musical, Outstanding Featured Actress in a Musical, Best Performance by a Featured Actress in a Musical, "Chicago Broadway @ 46th Street Theatre | Playbill", "CHICAGO's missing character, or, WHO is Henry Glassman? This character's role and the song "Ten Percent" was cut,[12] with the character folded into that of Matron Mama Morton, and various members of the chorus shared his M.C. The musical Chicago is based on a play of the same name by reporter and playwright Maurine Dallas Watkins, who was assigned to cover the 1924 trials of accused murderers Beulah Annan and Belva Gaertner for the Chicago Tribune.

Russell, Robert. Ihre Zellengenossin und ebenfalls Mörderin ist die Tänzerin Velma Kelly, die mit „Mamas“ Hilfe zu einem Medienstar wurde und die Fortsetzung ihrer Karriere nach ihrer Freilassung plant. [72] The most recent tour started in November 2008 in Charlotte, North Carolina and starred Tom Wopat as Billy Flynn, Bianca Marroquin as Roxie Hart, Terra C. MacLeod as Velma Kelly and Roz Ryan (later replaced by Carol Woods) as Matron "Mama" Morton.

Dort lernt sie die korrupte Matron Morton, genannt „Mama“ kennen, die ihr das Leben im Gefängnis erklärt („When You’re Good to Mama“). Set in Prohibition-era Chicago, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she reported on.

Several high-profile cases arose, which generally involved women killing their lovers or husbands. Other songs such as "Ten Percent" sung by a deleted character who was Velma's agent, and "No" sung by Roxie and Boys were cut soon into the production and only appear on demo recordings and in the original Playbill, but are not in the original script. With both Roxie and Amos furious at each other for the other's betrayal, Roxie confesses and is arrested. [17] The producers contemplated closing the show, but Liza Minnelli stepped in and offered to play the role of Roxie Hart in place of Verdon. [11] Two other sections termed "Keep It Hot" and "RSVP" were cut from the finale as well. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal". Separately, Roxie and Velma realize there is no one they can count on but themselves ("My Own Best Friend"), and Roxie decides that being pregnant in prison would put her back on the front page. Die Geschichte spielt im Chicago der 1920er Jahre („Ouverture“). Chicago Synopsis - Broadway musical Two girls of dazzling appearance, each of which was the star of the scenes of various sizes, are found in the same block in prison, where they were jailed for murder that they have done. Roxie steals all of Velma's schtick, down to the rhinestone garter, to the dismay of Mama and Velma ("Class"). Set in Chicago in the jazz age, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins, about actual criminals and the crimes on which she reported. It featured Verdon as Roxie Hart, Chita Rivera as Velma Kelly and Jerry Orbach as Billy Flynn. Upgrade to PRO Ebb and Fosse penned the book of the musical, and Fosse also directed and choreographed. Velma Kelly is a vaudevillian who welcomes the audience to tonight's show ("All That Jazz").

Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention. This is the final straw for Roxie, and her constant anger at rejection explodes. Chicago can still seem glibly cynical and artificially cold, especially in its weaker second act. We added them...and as soon as he heard the finger snaps, he loved the song. The John Kander-Fred Ebb-Bob Fosse musical CHICAGO is described in its opening number as a "story of murder, greed, corruption, violence, exploitation, adultery, and treachery--all those things we hold near and dear to our hearts." The first run of "Chicago" opened on June 3, 1975 at the 46th Street Theater on Broadway. Set in the legendary city during the roaring “jazz hot” 20s, Chicago tells the story of two rival vaudevillian murderesses locked up in Cook County Jail. Den Quellenangaben zufolge hat die Band bislang weltweit etwa 120 Mio. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband, Amos, to take the rap...until he finds out he's been duped and turns on Roxie. In short, CHICAGO is a musical that is a parade of highly-creative Broadway show-stoppers that each make a satiric point about the American judicial system...a topic made even more relevant in the recent O.J. It was considered a modest success--running for two years and over 900 performances--but audience were baffled by the way it often broke the fourth wall, and it was stomped at the 1975 Tony Awards by "A Chorus Line." [33] The show was well-received, with Howard Kissel, reviewing for the New York Daily News writing that "This Chicago impressed me far more than the original.". Every musical moment in the show was loosely modeled on someone else: Roxie was Helen Morgan, Velma was Texas Guinan, Billy Flynn was Ted Lewis, Mama Morton was Sophie Tucker." The show closed on September 1, 2012 after a total run of nearly 15 years in London.

BROADWAY SHOWS SUSPENDED THROUGH MAY 30th.


This format made explicit the show's comparison between "justice", "show-business", and contemporary society.
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chicago musical plot


Roxies Glückssträhne nimmt kein Ende („I Know a Girl“), trotz ihrer Lügen, nach denen es heißt, sie habe eine Klosterschule besucht und sei mittlerweile schwanger, was schon lang ihr größter Wunsch gewesen sein soll („Me and My Baby“). Chicago surpassed Cats on November 23, 2014, when it played its 7,486th performance. Velma Kelly, who, with her sister, performed a famous and popular double-act (until Velma is arrested for the murder of her sister and husband, who she found in bed together) welcomes the audience to the show (“All That Jazz”). [51], On January 29, 2003, more than six years into its run, the Broadway production moved a second time, to the Ambassador Theatre, where it has played ever since.

[27] Elizabeth Seal later replaced Ellis as Roxie Hart.
It was an immense critical and box office success, earning over $300 million worldwide, and garnered a total of six Academy Awards (including Best Picture and Best Supporting Actress for Zeta-Jones). [48], Among the many other performers and celebrities who have appeared in the show are Brandy Norwood, Usher, Christopher Sieber, Charlotte d'Amboise, Cuba Gooding Jr., Michael C. Hall, Roz Ryan, Jerry Springer, Brooke Shields, NeNe Leakes, Debra Monk, Patrick Swayze, Kevin Richardson, Gretchen Mol, Rita Wilson, Alan Thicke, Melanie Griffith, Taye Diggs, Carol Woods, Chandra Wilson, John O'Hurley, Christine Pedi, Ashlee Simpson, Adam Pascal, Amy Spanger, Leigh Zimmerman, Wendy Williams,[49] Samantha Harris, Jennifer Nettles, Marilu Henner, Jeff McCarthy, Philip Casnoff, Pasquale Aleardi, Ruthie Henshall, Christie Brinkley,[citation needed] Tony Yazbeck, Kara DioGuardi, Sofía Vergara, Mel B,[50] Ryoko Yonekura, Todrick Hall, and Shiri Maimon. Amos proudly claims paternity, but still, nobody notices him, and Billy exposes holes in Roxie's story by noting that she and Amos had not had sex in four months, meaning if she were pregnant, the child was not Amos's, in hopes that Amos will divorce her and look like a villain, which Amos almost does ("Mr. Cellophane"). Fosse was talked out of allowing this staging, when Jerry Orbach "convinced him that he was missing the Brechtian subtlety intrinsic in the number."[11]. It is the second longest-running show to ever run on Broadway, behind only The Phantom of the Opera. [35] Ben Brantley, in his review for The New York Times, wrote " 'Make love to the audience' was another Fosse dictum. Roxie convinces her husband Amos that the victim was a burglar, and Amos agrees to take the blame. A bottle of gin and an automatic pistol were found on the floor of the car. On November 18, 1997, the revival production opened in London's West End. The block is presided over by Matron "Mama" Morton, whose system of taking bribes ("When You're Good to Mama") perfectly suits her clientele. Synopsis. Billy takes Roxie's case before realizing Amos doesn't have the money; to make up the difference, he turns the case into a media circus and rearranges her story for consumption by sympathetic tabloid columnist Mary Sunshine ("A Little Bit of Good"), hoping to sell proceeds in an auction. to read our guide for Chicago and unlock other amazing theatre resources! Billy is now ready to play the ultimate showman. Based loosely on a notorious murder case in the 1920s, it skewers the twisted priorities of media sensationalism and the way society makes celebrities out of criminals. The former Mary Sunshine, revealed during the trial to actually be a man in drag, takes his natural male form as a pushy vaudeville promoter, shaping Roxie and Velma's dance ("Hot Honey Rag") to make it as sexy as possible. The musical CHICAGO tells its story through a series of show-stopping songs. Not that you’d pick up the next loose firearm and shoot your lover after discovering his or her infidelity to you (ladies, don’t, no matter how angry you are; some people are not worth the jail term to serve) but people who, in their quest for fame, end up confusing it with infamy. Velma Kelly, who, with her sister, performed a famous and popular double-act (until Velma is arrested for the murder of her sister and husband, who she found in bed together) welcomes the audience to the show (“All That Jazz”). "That's Chicago". Erst 1991 wurde wieder darüber geredet, als Lewis Gilbert Minnelli als „Roxie“ sehen wollte, 1994 dann äußerte sich Harvey Weinstein, er würde gern Michelle Pfeiffer, Minnelli oder Goldie Hawn zusammen mit Madonna engagieren; ein Jahr später versprach er Minnelli sogar ihre Mitwirkung.

For example, Marti Pellow, David Hasselhoff, John Barrowman, Tony Hadley, Jerry Springer, Kevin Richardson and Ian Kelsey have all played the role of Billy Flynn. Billy uses Amos as a pawn, turning around and insisting that Amos is actually the father of Roxie's child. "Review: Chicago s Razzle Dazzle frazzle at Starlight", Laurence Olivier Award for Outstanding Musical Production, longest-running show to ever run on Broadway, Learn how and when to remove this template message, Best Performance by a Leading Actor in a Musical, Best Performance by a Leading Actress in a Musical, Outstanding Featured Actress in a Musical, Best Performance by a Featured Actress in a Musical, "Chicago Broadway @ 46th Street Theatre | Playbill", "CHICAGO's missing character, or, WHO is Henry Glassman? This character's role and the song "Ten Percent" was cut,[12] with the character folded into that of Matron Mama Morton, and various members of the chorus shared his M.C. The musical Chicago is based on a play of the same name by reporter and playwright Maurine Dallas Watkins, who was assigned to cover the 1924 trials of accused murderers Beulah Annan and Belva Gaertner for the Chicago Tribune.

Russell, Robert. Ihre Zellengenossin und ebenfalls Mörderin ist die Tänzerin Velma Kelly, die mit „Mamas“ Hilfe zu einem Medienstar wurde und die Fortsetzung ihrer Karriere nach ihrer Freilassung plant. [72] The most recent tour started in November 2008 in Charlotte, North Carolina and starred Tom Wopat as Billy Flynn, Bianca Marroquin as Roxie Hart, Terra C. MacLeod as Velma Kelly and Roz Ryan (later replaced by Carol Woods) as Matron "Mama" Morton.

Dort lernt sie die korrupte Matron Morton, genannt „Mama“ kennen, die ihr das Leben im Gefängnis erklärt („When You’re Good to Mama“). Set in Prohibition-era Chicago, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she reported on.

Several high-profile cases arose, which generally involved women killing their lovers or husbands. Other songs such as "Ten Percent" sung by a deleted character who was Velma's agent, and "No" sung by Roxie and Boys were cut soon into the production and only appear on demo recordings and in the original Playbill, but are not in the original script. With both Roxie and Amos furious at each other for the other's betrayal, Roxie confesses and is arrested. [17] The producers contemplated closing the show, but Liza Minnelli stepped in and offered to play the role of Roxie Hart in place of Verdon. [11] Two other sections termed "Keep It Hot" and "RSVP" were cut from the finale as well. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal". Separately, Roxie and Velma realize there is no one they can count on but themselves ("My Own Best Friend"), and Roxie decides that being pregnant in prison would put her back on the front page. Die Geschichte spielt im Chicago der 1920er Jahre („Ouverture“). Chicago Synopsis - Broadway musical Two girls of dazzling appearance, each of which was the star of the scenes of various sizes, are found in the same block in prison, where they were jailed for murder that they have done. Roxie steals all of Velma's schtick, down to the rhinestone garter, to the dismay of Mama and Velma ("Class"). Set in Chicago in the jazz age, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins, about actual criminals and the crimes on which she reported. It featured Verdon as Roxie Hart, Chita Rivera as Velma Kelly and Jerry Orbach as Billy Flynn. Upgrade to PRO Ebb and Fosse penned the book of the musical, and Fosse also directed and choreographed. Velma Kelly is a vaudevillian who welcomes the audience to tonight's show ("All That Jazz").

Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention. This is the final straw for Roxie, and her constant anger at rejection explodes. Chicago can still seem glibly cynical and artificially cold, especially in its weaker second act. We added them...and as soon as he heard the finger snaps, he loved the song. The John Kander-Fred Ebb-Bob Fosse musical CHICAGO is described in its opening number as a "story of murder, greed, corruption, violence, exploitation, adultery, and treachery--all those things we hold near and dear to our hearts." The first run of "Chicago" opened on June 3, 1975 at the 46th Street Theater on Broadway. Set in the legendary city during the roaring “jazz hot” 20s, Chicago tells the story of two rival vaudevillian murderesses locked up in Cook County Jail. Den Quellenangaben zufolge hat die Band bislang weltweit etwa 120 Mio. In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband, Amos, to take the rap...until he finds out he's been duped and turns on Roxie. In short, CHICAGO is a musical that is a parade of highly-creative Broadway show-stoppers that each make a satiric point about the American judicial system...a topic made even more relevant in the recent O.J. It was considered a modest success--running for two years and over 900 performances--but audience were baffled by the way it often broke the fourth wall, and it was stomped at the 1975 Tony Awards by "A Chorus Line." [33] The show was well-received, with Howard Kissel, reviewing for the New York Daily News writing that "This Chicago impressed me far more than the original.". Every musical moment in the show was loosely modeled on someone else: Roxie was Helen Morgan, Velma was Texas Guinan, Billy Flynn was Ted Lewis, Mama Morton was Sophie Tucker." The show closed on September 1, 2012 after a total run of nearly 15 years in London.

BROADWAY SHOWS SUSPENDED THROUGH MAY 30th.


This format made explicit the show's comparison between "justice", "show-business", and contemporary society.

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